We do one thing

Get your music
pitched for sync.

Here’s how placements actually happen: a supervisor hears your song, then checks your story. 300 pitches a week — the ones with momentum win. So we build the momentum first — real playlists, chart positions, visible heat — then put your music in front of the people who decide what goes in film, TV, and streaming.

Sync is the job We don’t stop pitching You keep 100%. We take zero.
01Build the story
02Get pitched
03Keep 100% of it

The part nobody tells you

Supervisors don’t pick songs. They pick stories.

A supervisor gets 300 songs a week. The music is the easy part — what kills most pitches is there’s nothing behind the artist. No momentum, no story, nothing to sell upstairs. We build the part that gets you picked.

“Great song. No visible motion.”
“Who is this artist?”
PROOF

Charts, playlists, momentum. Tangible stuff a supervisor can point to and say “this one’s moving.”

MOMENTUM

Nobody wants to be first. A record that’s already moving feels like an opportunity, not a cold email.

PAPERWORK

Splits, stems, metadata — the boring paperwork that kills deals when it’s missing.

THE JOB

We build the proof, package the music, and keep pitching. That’s the job.

What you can buy

Everything here serves one goal: placements.

Sync is the product. Charts, playlists, and TikTok momentum are just the proof we build when your story needs backup.

THE MAIN EVENT

Your music, pitched to supervisors.

We get your materials right, find the supervisors who place your kind of music, and pitch them. Then pitch them again. We keep going until something lands. (Nobody can promise a specific show or timeline — anyone who does is selling you something.)

RIGHTS REVIEWMETADATASTEMSTARGETED PITCHINGFOLLOW-THROUGH
100%of your revenue, your masters, your publishing. Our cut: zero.
THE SUPPORTING CAST

The proof behind the pitch.

If your Spotify looks dead, supervisors notice. These four build the story your music deserves.

iTunes chartingA chart position you can screenshot forever.
Spotify playlistingReal playlists, real listeners.
Spotify chartingCharts the industry actually checks.
TikTok chartingProof the song moves people.

How it works

Look real. Get pitched. Keep the upside.

1. Build the story

No fake numbers — those get you blacklisted. Real chart positions, real playlists, real momentum that holds up when a supervisor digs in.

2. Get pitched

Your music, packaged for the people who place songs — not blasted into some generic inbox.

3. Keep everything

100% of your masters, publishing, and sync fees. We don’t own a piece of your music. We never will.

One promise

One goal.
No confusion.

Build the proof. Pitch the right people. Never touch your rights.

Will you keep pitching until something lands — while admitting no one can promise a specific show, supervisor, or timeline?

YES
Sync campaign reportEXAMPLE WORK LOG
01
Reputation reviewPublic footprint, chart and playlist signals assessed
COMPLETE
02
Sync packageRights, metadata, stems and positioning prepared
COMPLETE
03
Supervisor shortlistRelevant opportunities and contacts selected
ACTIVE
04
Ongoing pitchingFollow-up continues as new fits open up
ONGOING

Receipts

Watch the work happen.

One report. Three things: the proof we built, how your music got packaged, and exactly where the pitching stands.

The proof: what we built around your release and why it matters.

The pitching: who we contacted, what they said, what’s next. Not “exposure.”

The honesty: nobody can guarantee a placement. We show you the work instead.

Talk to a human

You’ll always know what’s happening.

Ask anything — the plan, the package, where the pitching stands. You talk to people who actually work in music, not a support ticket queue.

No stupid questions. No disappearing after the sale.

Don't pitch potential.
Show them momentum.

Build the story. Get pitched. Keep everything you earn.

Get my plan →

Don't guess.

What should you actually buy?

Answer 5 questions — takes 60 seconds. At the end you get the exact service and the exact price. No sales call, no "book a discovery call" games.

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