Pick your power-up.

Mike Jacoby. 12 years in music marketing, 7 figures in ad spend managed, and I run every campaign personally. No team of interns, no outsourced ‘account managers.’ When you email, I reply. That’s the whole company structure.

Fair question — this industry is full of them. Here’s how to check me: every price is public on this page (scams hide prices). We publish exactly where your money goes (85/15 splits). We tell you what we can’t do (no guaranteed placements, no botted numbers). A scam promises everything. We promise work. Google me, then decide.

No. Spotify bans accounts for botted streams — fake plays from click farms. We only pitch to real playlists with real listeners. Every stream comes from an actual human pressing play. That’s the line, and we don’t cross it.

Never. Not for streams, not for views, not for followers. If you ever catch a botted number in one of our reports, screenshot it and we’ll refund the campaign. That’s how confident we are.

No — and run from anyone who does. Guaranteed streams means botted streams. Guaranteed placements means someone’s lying about controlling curators. What we guarantee: real work, real outreach, real reporting. The results are honest or they’re nothing.

Then you get an honest report showing exactly what happened — who was pitched, who listened, what they said. For podcast bookings, if we miss the target in the timeframe, we keep pitching free until we hit it. We don’t disappear after the invoice.

If we haven’t started work, yes — full refund, no interrogation. Once a campaign is live, your budget’s been spent on real ads and real outreach, so we can’t pull it back — but you’ll see exactly where every dollar went in your report.

Zero. On sync we take 0% of your revenue and zero ownership — in writing. On everything else, you’re buying a service, not selling a piece of yourself. Your music stays 100% yours.

We’ll tell you per service: YouTube ads are 85% ad spend / 15% management. Influencer campaigns are 85% to the creators / 15% management. The rest is labor — pitching, follow-ups, reporting. No mystery fees, ever.

Here’s the honest answer: we listen to everything before we pitch it. If your mix isn’t ready or the song isn’t competitive, we’ll tell you straight — and we’d rather lose the sale than pitch something that embarrasses us both with curators.

Hip-hop, R&B, pop, Afrobeats, Latin, indie — all day. If you make something outside our curator network’s wheelhouse, we’ll tell you before you spend a dollar instead of taking your money and hoping.

Those are marketplaces — you pay per submission and hope. We’re done-for-you: strategy, pitching, follow-ups, reporting. You don’t lift a finger. Different model, different price, different outcome.

Your music (a streaming link), two sentences about who you are, and payment. That’s it. No 40-field onboarding form, no ‘brand questionnaire.’ We handle the rest.

Playlisting: placements start landing in days, full picture in 2–3 weeks. YouTube ads: views start the day the campaign goes live. iTunes: it’s a single-day sprint, timed to your release. Sync: a year-long game — we pitch the whole time, placements land when they land.

Email mike@shopstreamstation.com — Mike replies personally, usually within 24 hours. No chatbot, no ticket queue. But you don’t need permission to buy; the prices are the prices.

Because they’re a sales tactic. The call exists to size up your budget and charge you accordingly. Our prices are public and identical for everyone — there’s nothing a call would change except wasting 45 minutes of your life.

Most of our customers have. It’s usually one of three burns: botted streams that got flagged, a ‘guaranteed placement’ that never came, or a report full of screenshots and zero substance. We built this to be the opposite of that — check our work, hold us to it.

Under $50? Don’t buy from us — get PlaylistGOATS ($49.99/mo), our sister product for DIY pitching. Got $100+? The YouTube $99.99 tier or Playlisting Starter are the best dollar-for-dollar moves we sell.